Romare Bearden’s “Train Whistle Blues No. 1” (1964) is a black-and-white photostat enlargement of an original collage, part of his renowned Projections series. The composition portrays African American musicians and singers, capturing the soulful essence of blues music. Bearden’s innovative technique involved creating collages that he then photocopied and enlarged, resulting in a distinctive aesthetic that blends realism with abstraction. The title references the traditional blues theme of train journeys, symbolizing movement, longing, and the African American experience. This work exemplifies Bearden’s mastery in conveying complex narratives through layered imagery and his ability to transform everyday scenes into profound cultural expressions.