Recovering Romare: Dr. Camara Holloway on Building the Bearden Catalogue Raisonné

When it comes to documenting an artist’s life’s work, few tools are more powerful, or more painstaking, than a catalogue raisonné. But for many African American artists, these essential scholarly resources have been few and far between. That’s exactly why the launch of The Romare Bearden Catalogue Raisonné Project, the

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Dr. Camara Holloway (Left) and Catherine Huff (Right) with Burial by Romare Bearden, part of the McConnell Family Trust, at the Mint Museum on March 17, 2023.

Art History’s Digital Future: Behind the Scenes with the Bearden Catalogue Raisonné Team

What does it take to map the creative legacy of one of America’s greatest artists, and share it with the world? For the Wildenstein Plattner Institute (WPI), the answer isn’t just scholarship. It’s innovation. It’s collaboration. And above all, it’s access. With the release of the first installment of the

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What Is a Catalogue Raisonné—and Why Does Bearden Deserve One?

Unveiling the Blueprint of an Artist's Legacy Imagine attempting to piece together the vast and intricate puzzle of an artist's life work. It sounds like a daunting task…at least without a comprehensive guide. For scholars, collectors, and art enthusiasts, there is just such a guide; it’s known as a catalogue

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A collage by Romare Bearden titled "The Train" (1975), depicting a group of African American figures inside a train, their fragmented and layered faces reflecting themes of migration, memory, and movement. Vibrant colors and mixed media elements create a dynamic and textured composition.

Bearden and the Black Interior

What Stories Do Our Rooms Tell? A kitchen table, a worn armchair, the steady hum of conversation in a barbershop. These are not the traditional subjects of Western art history. Yet for Romare Bearden, they were essential. Bearden’s work transforms private, domestic Black life into a canvas worthy of profound

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A collage by Romare Bearden titled "The Train" (1975), depicting a group of African American figures inside a train, their fragmented and layered faces reflecting themes of migration, memory, and movement. Vibrant colors and mixed media elements create a dynamic and textured composition.

The World According to Collage: Bearden’s Visual Philosophy​

Piecing Together a New Reality What if the act of cutting and pasting images could challenge societal norms and reconstruct cultural identities?  For Romare Bearden, collage was not merely an artistic technique—it was a profound method of storytelling and a tool for social commentary. In an age fractured by displacement,

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A vibrant collage with layered faces, instruments, and abstract forms, evoking a sense of gratitude and musical celebration.

Bearden and the Shape of Jazz to Come

Can You Hear a Painting Swing? What does a Romare Bearden collage sound like? To some, it’s the cool syncopation of Miles Davis, the layered storytelling of a John Coltrane solo, or the staccato snap of Ella Fitzgerald’s phrasing. Bearden didn’t just love jazz—he lived it, translated it, and reimagined

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Black-and-white photo of Romare Bearden in the Cinque Gallery with the other Founders.

Romare Bearden & the Power of Community in Art

Can Art Build a Movement? What role does art play in shaping communities? Is it simply a reflection of the world, or can it actively transform society? For Romare Bearden, art was never just about individual expression—it was about collective action, dialogue, and social change. A towering figure in 20th-century

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A mixed-media collage by Romare Bearden from the Paris Blues/Jazz Series (1981), featuring a black-and-white photograph of two men in a car juxtaposed against a vibrant, abstract drawing of Paris landmarks, including the Eiffel Tower and Notre Dame, with the Mona Lisa in the background.

Romare Bearden in Paris – A Transatlantic Legacy

A City That Transforms Artists What is it about Paris that transforms artists? From James Baldwin to Josephine Baker, many Black creatives have crossed the Atlantic and found a city that saw them as artists first—before race, before nationality, before anything else. Romare Bearden was no exception. In 1950, after

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Romare Bearden’s "The Block," a six-panel collage depicting a vibrant Harlem neighborhood, filled with everyday scenes of community life, children playing, and storefronts, embodying Bearden’s signature storytelling through collage.

Romare Bearden: The Art of Storytelling Through Collage

“The artist is a kind of enchanter in time.” — Romare Bearden Romare Bearden’s collage art is not just an arrangement of colors, textures, and forms—it’s a living, breathing story. Art has long been a vessel for storytelling, a way for civilizations to pass down their histories, struggles, and triumphs.

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